\u00c0 propos de la Pi\u00e8ce<\/strong><\/h2>\n\u00ab Un Mouchoir Rouge \u00bb<\/strong> s\u2019ouvre sur les hommes d\u2019un village demandant aux femmes de laver le corps d\u2019une femme assassin\u00e9e. Au cours du processus, elles d\u00e9couvrent un foulard rouge pos\u00e9 \u00e0 c\u00f4t\u00e9 du cadavre \u2014 un objet symbolisant la honte sociale que les femmes ont \u00e9t\u00e9 conditionn\u00e9es \u00e0 porter tout au long de leur vie.<\/p>\nL\u2019histoire de chaque personnage dresse un portrait saisissant de r\u00e9silience :<\/p>\n
\n- \n
Nohad<\/strong>, forc\u00e9e \u00e0 se marier pour soulager la charge financi\u00e8re de sa famille, prend finalement une d\u00e9cision d\u00e9chirante pour prot\u00e9ger son enfant \u00e0 na\u00eetre.<\/p>\n<\/li>\n- \n
Ibtissam<\/strong>, trahie par son mari apr\u00e8s avoir affront\u00e9 l\u2019infertilit\u00e9, reste encha\u00een\u00e9e par l\u2019amour.<\/p>\n<\/li>\n- \n
Reem<\/strong>, mari\u00e9e jeune dans un village o\u00f9 l\u2019on privil\u00e9gie les fils aux filles.<\/p>\n<\/li>\n- \n
Hounaida<\/strong>, qui survit \u00e0 une tentative de meurtre par son mari et se bat pour sa vie.<\/p>\n<\/li>\n- \n
Dareen<\/strong>, une femme travailleuse exploit\u00e9e par les d\u00e9pendances de son mari.<\/p>\n<\/li>\n- \n
Mariam<\/strong>, emprisonn\u00e9e dans un mariage sans amour sous la pression sociale.<\/p>\n<\/li>\n- \n
Mary et Mirna<\/strong>, deux c\u00e9libataires s\u2019accrochant \u00e0 des illusions d\u2019admirateurs.<\/p>\n<\/li>\n- \n
Jenny<\/strong>, une artiste de cabaret vivant derri\u00e8re un voile de secrets.<\/p>\n<\/li>\n- \n
Khitam<\/strong>, une femme divorc\u00e9e portant le lourd fardeau de la stigmatisation sociale.<\/p>\n<\/li>\n<\/ul>\nSymboles Th\u00e9\u00e2traux<\/strong><\/h2>\n\n- \n
Le Foulard Rouge<\/strong> : Repr\u00e9sente la honte h\u00e9rit\u00e9e que la soci\u00e9t\u00e9 impose aux femmes, honte qu’elles portent \u2014 souvent inconsciemment \u2014 tout au long de leur vie.<\/p>\n<\/li>\n- \n
Le Cadavre<\/strong> : Symbolise les causes marginalis\u00e9es, notamment des enjeux politiques comme la cause palestinienne, ainsi que l\u2019indiff\u00e9rence collective de la soci\u00e9t\u00e9. Tandis que les femmes alternent entre laver le corps, bavarder, boire du caf\u00e9, chanter et danser, la sc\u00e8ne refl\u00e8te le d\u00e9sint\u00e9r\u00eat d\u00e9sinvolte de la soci\u00e9t\u00e9 face aux injustices urgentes.<\/p>\n<\/li>\n<\/ul>\n![\"\"](\"https:\/\/amel.org\/wp-content\/uploads\/2025\/04\/WhatsApp-Image-2025-04-24-at-4.43.37-PM-1-1.jpeg\")
<\/h2>\nObjectif<\/strong><\/h2>\nPartout dans le monde, les femmes portent des blessures invisibles et affrontent des obstacles syst\u00e9miques \u00e0 leur libert\u00e9 et \u00e0 leur dignit\u00e9. \u00ab Un Mouchoir Rouge \u00bb<\/strong> raconte l\u2019histoire courageuse de femmes qui s\u2019unissent pour partager leurs exp\u00e9riences, confronter les tabous sociaux et briser la stigmatisation injustifi\u00e9e qu\u2019elles subissent. \u00c0 travers l\u2019art, elles reprennent possession de leur voix, d\u00e9fendent leurs droits et suscitent des conversations qui transcendent les fronti\u00e8res et les communaut\u00e9s.<\/p>\nVisite de Partenaires Internationaux<\/strong><\/h2>\nLors d\u2019une r\u00e9cente visite sp\u00e9ciale au Centre Amel, Yvan Rivier, Pr\u00e9sident de la Fondation Philanthropique Famille Sandoz, accompagn\u00e9 de Dina Hajar, Jano Fadlallah et Wael Darwish de Caritas Suisse, a assist\u00e9 \u00e0 une r\u00e9p\u00e9tition et a visit\u00e9 les services complets propos\u00e9s par le centre.<\/p>\n
Since 2007, the center has delivered:<\/p>\n
\n- \n
Protection services and vocational training<\/strong><\/p>\n<\/li>\n- \n
Non-formal education for over 150 children annually<\/strong><\/p>\n<\/li>\n- \n
Primary health care for more than 800 patients monthly<\/strong><\/p>\n<\/li>\n- \n
Empowerment programs<\/strong> for women through skills development and creative arts<\/p>\n<\/li>\n- \n
Elderly care<\/strong> reaching over 2,000 beneficiaries monthly<\/p>\n<\/li>\n- \n
Community engagement initiatives<\/strong> that build solidarity and resilience<\/p>\n<\/li>\n<\/ul>\nTheir visit reflects a deepening commitment to partnership, innovation, and building a more just and inclusive future.<\/p>\n
Artistic Excellence<\/strong><\/h2>\nMeanwhile, Mohammad Hamdan Eidy<\/strong> continues to garner international acclaim. His short film, \u00ab\u00a0The Mail Thief,\u00a0\u00bb<\/strong> co-directed with Abbas Abbas<\/strong>, won the Jury Prize for Best Short Film<\/strong> at the Egyptian American Film Festival<\/strong> in New York under the theme \u00ab\u00a0Palestine in the Heart.\u00a0\u00bb<\/em><\/p>\nIn Ain El-Remmaneh, however, \u00ab\u00a0A Red Handkerchief\u00a0\u00bb<\/em> has become more than a play. It is a bold act of remembrance, empowerment, and healing \u2014 a powerful testament to the idea that when women come together to tell their stories, they change not only the narrative but the very fabric of society.<\/p>\n","protected":false},"excerpt":{"rendered":"Au Centre de l’Association Amel Internationale \u00e0 A\u00efn El-Remmaneh, une histoire unique de r\u00e9silience et d’\u00e9mancipation se d\u00e9roule. Chaque jour, un groupe de femmes courageuses se r\u00e9unit pour r\u00e9p\u00e9ter \u00ab Un Mouchoir Rouge \u00bb, une pi\u00e8ce \u00e9crite et mise en sc\u00e8ne par Mohammad Hamdan Eidy. Ce n’est pas seulement une performance th\u00e9\u00e2trale \u2014 c’est un […]<\/p>\n","protected":false},"author":1,"featured_media":9627,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1774],"tags":[],"class_list":{"0":"post-9672","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-actualites-et-histoires"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/posts\/9672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/comments?post=9672"}],"version-history":[{"count":4,"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/posts\/9672\/revisions"}],"predecessor-version":[{"id":9676,"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/posts\/9672\/revisions\/9676"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/media\/9627"}],"wp:attachment":[{"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/media?parent=9672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/categories?post=9672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/amel.org\/fr\/wp-json\/wp\/v2\/tags?post=9672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}